Beyond the visual aspect of my art, the paintings include the use of other senses. The gold leaf can be eaten. The smell of beeswax and spike nard can be smelled across the room. Already saturated in oils, the paintings can be touched with no harm done. It is even encouraged.

The last couple of years my subject matter has been on people rescued and restored from human trafficking. The portraiture of these people are covered by layers of rice paper paintings that reflect the physiological, social, and spiritual aspect of who they are and what they have been through. From their traumas to their hopes of a new life, all the layers when the painting is “anointed” in oil. The complex layers blend together to create the finalized painting in front of the viewer. The people behind these paintings are voices calling for an end of modern day slavery.

Beyond the visual aspect of my art, the paintings include the use of other senses. The gold leaf can be eaten. The smell of beeswax and spike nard can be smelled across the room. Already saturated in oils, the paintings can be touched with no harm done. It is even encouraged.

The last couple of years my subject matter has been on people rescued and restored from human trafficking. The portraiture of these people are covered by layers of rice paper paintings that reflect the physiological, social, and spiritual aspect of who they are and what they have been through. From their traumas to their hopes of a new life, all the layers when the painting is “anointed” in oil. The complex layers blend together to create the finalized painting in front of the viewer. The people behind these paintings are voices calling for an end of modern day slavery.

Beyond the visual aspect of my art, the paintings include the use of other senses. The gold leaf can be eaten. The smell of beeswax and spike nard can be smelled across the room. Already saturated in oils, the paintings can be touched with no harm done. It is even encouraged.

The last couple of years my subject matter has been on people rescued and restored from human trafficking. The portraiture of these people are covered by layers of rice paper paintings that reflect the physiological, social, and spiritual aspect of who they are and what they have been through. From their traumas to their hopes of a new life, all the layers when the painting is “anointed” in oil. The complex layers blend together to create the finalized painting in front of the viewer. The people behind these paintings are voices calling for an end of modern day slavery.

Beyond the visual aspect of my art, the paintings include the use of other senses. The gold leaf can be eaten. The smell of beeswax and spike nard can be smelled across the room. Already saturated in oils, the paintings can be touched with no harm done. It is even encouraged.

The last couple of years my subject matter has been on people rescued and restored from human trafficking. The portraiture of these people are covered by layers of rice paper paintings that reflect the physiological, social, and spiritual aspect of who they are and what they have been through. From their traumas to their hopes of a new life, all the layers when the painting is “anointed” in oil. The complex layers blend together to create the finalized painting in front of the viewer. The people behind these paintings are voices calling for an end of modern day slavery.

Beyond the visual aspect of my art, the paintings include the use of other senses. The gold leaf can be eaten. The smell of beeswax and spike nard can be smelled across the room. Already saturated in oils, the paintings can be touched with no harm done. It is even encouraged.

The last couple of years my subject matter has been on people rescued and restored from human trafficking. The portraiture of these people are covered by layers of rice paper paintings that reflect the physiological, social, and spiritual aspect of who they are and what they have been through. From their traumas to their hopes of a new life, all the layers when the painting is “anointed” in oil. The complex layers blend together to create the finalized painting in front of the viewer. The people behind these paintings are voices calling for an end of modern day slavery.

Beyond the visual aspect of my art, the paintings include the use of other senses. The gold leaf can be eaten. The smell of beeswax and spike nard can be smelled across the room. Already saturated in oils, the paintings can be touched with no harm done. It is even encouraged.

The last couple of years my subject matter has been on people rescued and restored from human trafficking. The portraiture of these people are covered by layers of rice paper paintings that reflect the physiological, social, and spiritual aspect of who they are and what they have been through. From their traumas to their hopes of a new life, all the layers when the painting is “anointed” in oil. The complex layers blend together to create the finalized painting in front of the viewer. The people behind these paintings are voices calling for an end of modern day slavery.